Thursday, September 13, 2018

Coyoacán: Indigenous Purépecha Traditions of Michoacán Live On in Colonia Ajusco

Meeting Old Traditions in New Neighborhoods


During our ambles to the original indigenous villages in Mexico City that existed before the Spanish Conquest, we have encountered—and written about—barrios populares, working class neighborhoods, that are virtually indistinguishable in their architecture, daily life and communal religious fiestas from those with indigenous origins. Indistinguishable, that is, with one notable exception: they lack churches dating back to the 16th century. In fact, these neighborhoods are 20th century creations and their church buildings are modern. The story of how they came to be, but maintain traditional identities is fascinating.

We first encountered these neighborhoods in the summer of 2017, at a fiesta in Colonia Pedregal de Santo Domingo and then later that fall at a fiesta in neighboring Colonia Ajuscoboth in Delegación CoyoacánBoth fiestas were large in scope, with all the traditional elements: an abundance of visiting saints on their flower-bedecked andas (platforms), multiple bandas and comparsas (dance groups), and of course, cohetes (rocket-style firecrackers) announcing the fiesta for miles around.

The modern church of  Los Dos Fundadores, The Two Founders
(St. Francis and St. Domingo,
founders of the first two religious orders that came to Nueva España  in the 16th century
to convert the indigenous to Spanish Catholic Christianity.)
Colonia Pedregal Santo Domingo, Coyoacán.

Fiesta de San Francisco (front) and Santo Domingo (rear, to left of Virgin Mary)
Colonia Pedregal de Santo Domingo, Coyocan;
preparing to receive El Señor de la Misericordia, the Lord of Compassion,
from neighboring Colonia Ajusco.
He will be placed under the golden canopy when He is received from Colonia Ajusco.

Fiesta del Señor de los Milagros,
The Lord of Miracles, patron saint of a church of that name in
Colonia Ajusco, Coyocán

We doubted that either Colonias Santo Domingo or Ajusco were original indigenous pueblos. From our research, we learned that both had been created by squatters coming mostly from rural Mexico as a result of population pressures in the 1960s and 70s. Our page, How Mexico City Grew From an Island to a Metropolisdescribes this internal migration more fully.

The short version is that the land was available because it was pedregal, stony ground, lava rock from a volcanic eruption of a small cinder cone volcano called Xitle in the first century CE. Consequently, the area remained barren and unoccupied until the late 20th century, when rural migrants, utterly without resources, established squatter settlements on the pedregal.

Over the years, with Mexican ingenuity, these squatters developed their settlements into working-class neighborhoods that became part of the urban landscape. Eventually, the Federal District/Mexico City government accepted them as de facto neighborhoods needing formalization of property rights and urban services. So, today, as we said, they are virtually indistinguishable from the ancient Pueblos Los Tres Santos Reyes, (Three Holy Kings) and Candelaria immediately north of them.

Rural, Indigenous Mexicans, Moving to the City, Bring Their Traditional Faith With Them


As for the continuity of traditional communal religious customs, a good article on Colonia Ajusco in Wikipedia en español referenced an academic paper specifically on the religious institutions and life of AjuscoEl Pluralismo Religioso en la Colonia Ajusco (México, D.F.) ("Religious Pluralism in Colonia Ajusco, [Coyoacán], Federal District").

Its author is Dr. Hugo José Suárez, a professor of sociology at UNAM, the National Autonomous University of Mexico, whose University City campus, not coincidentally, is located on the Pedregal of Coyoacán, immediately west of Santo Domingo and Ajusco.
The paper has also been published as a freely downloadable book, full of illustrative photos, Ver y Creer: Ensayo de sociología visual en la Colonia Ajusco (Seeing and Believing: Essay of Visual Sociology in Colonia Ajusco). Dr. Suárez uses his own photos to illustrate his observations about Ajusco. Depicting the everyday life of the community, they are worth looking at.
Dr. Suárez documents the origins of Ajusco (and its neighbor, Pedregal de Santo Domingo), beginning with the occupation of some of the barren pedregal by people from the neighboring, originally indigenous Pueblo Candelaria in the 1950s. Then, a second wave took place in the 1960s as a result of the country's population explosion when people flooded in from rural Mexico.

They, of course, brought their traditional religious practices with them, what Dr. Suárez and other students of Latin American Catholicism call religión popular, religion of the people. It is not organized and managed by priests. It is organized and maintained over the years by mayordomía (chief caretakers), a committee of lay persons who, in reality, run the everyday life of the congregation and lead its activities in the community. As a result of our increasing experience and understanding of this religión popular, we have written a group of posts under the heading Mexican Traditional Popular Religion, to look at and share its essential elements and how it is maintained via rituals such as patron saint fiestas.
(For more on Mexican, and Latino, popular (i.e. of the people) Catholicism see the work of Latino Catholic theologians Roberto Goizueta, "The Symbolic Realism of U.S. Latino/a Popular Catholicism" (online PDF) and Orlando Espín, "The Faith of the People: Reflections on Popular Catholicism" available at Amazon.com)

Indigenous Purépecha of Michoacán in Colonia Ajusco, Coyoacán, Mexico City


Dr. Suárez then gave us a complete and wonderful surprise. He tells us that one sizable group that moved into Colonia Ajusco was from the indigenous Purépecha pueblo of Nahuatzen, in the area known as la Meseta Purépecha, the Purépecha Highlands, just west of Lake Pátzcuaro, in the southwestern state of Michoacán.

Michoacán is the magenta colored state on the southwest coast of Mexico, 
just south of Jalisco (yellow).
Lake Pátzcuaro, the Puerpecha Meseta and the state capital of Morelia 
all lie near its north-central border.

Mexico City is the small red area to the east of Michoacán.
The State of Mexico is the light blue area between Michoacán and Mexico City.

Pátzcuaroat the southern end of Lake Pátzcuaro (left center),
was originally a Purépecha village founded in the 1320s.
In 1553, the King of Spain declared it an official Spanish City.

Nahuatzen sits 
to the northwest, among the hills of the Meseta Purépecha. 


Morelia, in the far northeast corner, was established in the 16th century by the Spanish
as the city of Valladolid. After Independence was gained in 1821, its name was changed

 to honor native son and hero of Independence, José María Morelos,
and is the capital of the state of Michoacán. 

To us, Dr. Suárez's revelation was an immeasurable gift.  As we have commented in various posts, before moving to Mexico City in 2011, we lived in Pátzcuaro, Michoacán, for three years. We know and love la Meseta. 

It is a beautiful region of pine-forested mountains and verdant valleys, with cows and horses, sheep and goats grazing in green fields, and small villages. Their churches from the 16th and 17th centuries feature ceilings completely covered with scenes of Heaven. The women dress in incredibly elaborately pleated skirts, embroidered blouses and dark blue rebozos (wool shawls). The men are vaqueros, cowboys. 

A goodly number of times, we visited the pueblos of the Meseta, including Nahuatzen, as well as many around Lake Pátzcuaro, attending many of their fiestas, reading about their history, and seeking to gain as much understanding as we could of this indigenous people. 

The Purépecha are literally a unique ethnic group, as their language is an isolate—that is, it is not related to any other indigenous language in the Americas or in the world, thus indicating that their ancestors arrived in their own, unique migration from Asia. By around 1300 CE, they had developed urban centers such as Pátzcuaro, and begun to expand control over much of what is now southwestern Mexico. Their expansion took place in virtually the same period that the Mexica/Aztec were coming to power in the Valley of Anahuac, now the Valley of Mexico.

La Meseta Purépecha,
Michoacán

Ceiling of Church of Santiago, St. James the Apostle,
in Nuria, Meseta 
Purépecha Highlands,
Michoacán, dating from 1639.
A number of churches on the Meseta have painted ceilings that are treasures of art
and of the history of the Spiritual Conquest.

Purépecha señoras outside Church of Santiago, St. James,
Pueblo Nuria, 
Meseta Purépecha, Michoacán 


We attended many Purépecha fiestas and purchased many pieces of their artesanía (handicrafts), which continue to colorfully enliven our apartment in Mexico City and remind us daily of a dramatically different Mexico.

Fiesta of Santa Cruz, Holy Cross
May 3, Pátzcuaro, Michoacán

Some of these artisans became friends and invited us to their fiestas and into their homes. One of our spouse's Spanish teachers was Purépecha. Through another Spanish teacher, we made friends with two adolescent Purépecha brothers, one in university, the other in high school, who sought help practicing their English, and we then met their father, who was a traditional curandero, healer, and botanist researching the native plants of the region.

They invited us to their home in Pueblo Ucazanastacua, Ucaz for short, on the lake shore, to participate in their annual fiesta. There we met and were served a meal by mother and older sister, a recent teacher's college graduate. As the pueblo's patron saint is el Espírito Santo, the Holy Spirit, the fiesta is held on the weekend of Pentecost Sunday. Coming seven weeks after Easter, it marks the day when the Holy Spirit, symbolized by a dove, descended as flames upon the heads of the disciples of Jesus the Christ, after He had Ascended to Heaven, inciting them to carry on His preaching of the Gospel, the Good News, that the Kingdom of God was present among those who repented their sins and accepted Christ as their Savior from Sin and Death.

Purépecha señora,
during Mass,
Fiesta del Espírito Santo
Pueblo Ucazanastacua, Michoacán

La Mayordormía of the fiesta of Ucazanaztacua
Our friend and host, Jorge Cira, far left, was mayordomo, head of the organizing committee

Dragon alebrije, swallowing three devilish angels,
 molded from clay,
 from Ocumicho, Meseta Purépecha.
in our Mexico City apartment

The Purépecha and the Catholic Spiritual Conquest: the Unique Bishop Don Vasco de Quiroga


The Purépecha remain very traditional Catholics. They were evangelized by Don Vasco de Quiroga, a Spanish church lawyer who was sent to Nueva España by King Charles as a member of the Second Audiencia, governing council.

Sympathetic to the plight of los indios at the murderous hands of the conquistadores, Quiroga specifically became a bishop to implement a plan of establishing 'hospitales', i.e., refuge towns, modeled on the vision in Sir and St. Thomas Moore's Utopia. The first 'hospital' he established was in the mountains west of Mexico City (now Pueblo Santa Fe, Holy Faith, in Delegación Álvaro Obregón).

Quiroga then became the first bishop of Michoacán, which had been ravaged by Nuño Beltrán de Guzmán. Sent to Nueva España by King Charles as head of the first Audiencia to counter the de facto power of conquístador Hernán Cortés with an authority directly appointed by the Crown, Guzmán instead turned himself into another conquístador, attacking indigenous peoples in the west, including the Purépecha, who had actually surrendered to Cortés when they learned he had defeated the Mexica/Azteca (even though the Mexica/Azteca had never been able to conquer them, a fact of which they are still very proud).

Statue of Bishop Don Vasco de Quiroga,
in the Plaza Grande, Pátzcuaro, Michoacán.

Person in left foreground is a viejito, "little old person" 
a traditional Purépecha dancer.

Bishop Quiroga established hospital pueblos around Lake Pátzcuaro, the first being another Santa Fe, Santa Fe del Lago, Holy Faith of the Lake, where the indigenous were gathered to be protected from the conquistadores, evangelized and taught trades to maintain themselves. To this day, Don Vasco is revered by the Purépecha people, who affectionately, respectfully, call him "Tata Vasco" (Father Vasco). His remains are buried in a crypt in Pátzcuaro's Basilica of Nuestra Señora de la Salud, Our Lady of Health, which he had built.

The Purépecha gave significant support to the Cristeros, fervent Catholics in western Mexico who rebelled against the government in what is known as the Cristero War (1926-29). The Faithful were provoked by President Plutarco Elías Calles when he sought to enforce the anti-Catholic articles of the 1917 Constitution, which had not previously been seriously implemented. Calles had laws passed severely limiting the number of Catholic priests allowed in the country and prohibiting worship (hence fiestas) outside of churches.

We recall being told by a resident of Ucazanaztacua how the pueblo protected the local priest by hiding him in a cave (now a small chapel). Masses were celebrated at night, with worshipers arriving via canoe from other pueblos around the lake.

It is the children of that generation who moved to the pedregal of Ajusco in the 1960s. Over the next two decades, other Purépecha from Nahuatzen migrated to Ajusco  and they brought their intense faith with them.

Purépecha Fiesta from Nahuatzen, Michoacán in Colonia Ajusco, Coyoacán, Mexico City


Serendipitously for us, Dr. Suárez's article informed us that each August, the Purépecha community in Ajusco, now consisting of grandparents, parents and grandchildren, celebrate the fiesta of San Luis Rey, King St. Louis (of France) who is the patron saint of the pueblo of Nahuatzen(The community has a Facebook page, Fiestas y Tradiciones de Nahuatzen, which features photos of San Luis Rey and His fiesta, centered on His feast day, August 25.) The celebration in Ajusco is deliberately held a week ahead of the one in Nahuatzen, so those from either pueblo who desire can attend both.

When we learned of this, we became determined, ¡Ojalá! (the Force be willing), to attend this Purépecha fiesta in August 2018.

We had no further information about the Fiesta beyond Dr. Suárez's statement that it takes place a week ahead of August 25. That meant that in 2018, the fiesta would be held the weekend of August 18 and 19. He also tells us that it is held at the Chapel of the Annunciation, a subsidiary of the Rectory of the Resurrection, a large church in Ajusco organized by Jesuits in the early 1970s.

As the weekend of August 18-19 approaches, having only two pieces of information — the likely date and the location of the Chapel of the Annunciation, which we confirm via Google Maps — we decide to head there by taxi on Saturday morning, the 18th. The most significant events of a patron saint fiesta, usually the procession of the saint through the community, are most often scheduled around midday, sometimes on Saturday, more often on Sunday, followed by a Mass.

We hope that, by arriving a bit before noon on Saturday, we will at least be able to find out the schedule of events, always posted on announcements around the entrance to the church. If the main events are on Saturday, we will be there; if they are to be held on Sunday, we will know when to return. Ajusco is only fifteen minutes from our apartment, so returning would be no problem.

Seeking the Fiesta


We have our taxi driver take us down Avenida Aztecas to Calle Rey Ixtlixóchitl (King Ixtlilxóchitl was lord of the altepetl, city-state, of Texcoco in the early 15th century; interestingly, all street names in modern Colonia Ajusco are of indigneous tribes or rulers). We know the street because we have been to Mercado La Bola, a circular "ball-shaped", indoor market located there. It leads to the Chapel of the Annunciation.

As we turn into the street, we are not surprised — and actually pleased — to see that a couple of blocks ahead, the way is blocked with juegos mecánicos (fair rides) and puestos (street stalls) selling meals. They are a sure sign that a fiesta is underway. It just means that we have to get out and walk the remaining four blocks to the church which is on Calle Otomies (an indigenous people of central Mexico).

Wending our way past rides and puestos, when we arrive at the corner of Otomies, we find a bit of a challenge. The street goes up a small but steep hill; the sidewalk is actually a stairway. Climbing the stairs, we find ourselves out of breath, but nonetheless standing in front of the entrance to the Chapel of the Annunciation. It is now about noon.

A portada of fresh mums announces "King St. Louis, your people venerate you."

So to our great pleasure, we now know that there actually is a fiesta honoring San Luis Rey this weekend, here in Colonia Ajusco, in Coyoacán. But to our consternation, the gates to the church are locked and there is no one in sight. For a moment or two, we are stymied. However, thankfully, there is the inevitable announcement of the fiesta schedule posted on the gate.

The announcement tells us that today, sábado, at noon, there is a Mass,
but it is obviously not at the church; it is being held on Calle Chichimeca.
(Chichimeca was the derogatory, generic name that settled, agrarian, hence "civilized" indigenous residents
 of the Valley of Anahuac used for any nomadic, hunter-gatherer tribe, like the Roman meaning of "barbarians").


At 4:00, a procession will be formed at the church, scheduled to leave at 4:30,
to meet saints and faithful from other churches and return to the church for a Mass.

Sunday will consists only of Masses, community meals and a band concert.
So, obviously, if we want to experience the Purépecha community, today is the day.

We had crossed Chichimeca two blocks back, so we head back down hill and walk there, hoping to find the Mass. We ask various people standing along the street if they know where a Mass is being held. They all shrug their shoulders and say "No, there is no church on this street." Perhaps it is being held in a private home or outside on some empty lot, but we can't find it.

We wonder what to do. From the announcement on the church gate, we know that the next event is scheduled for 4:00 pm, about three-and-a-half hour from now. That's a long time to wait. But we are hungry, so we find a street puesto selling tacos de puerco (roasted, shredded pork wrapped in soft tortillas baked on a portable gas-heated comal, griddle). We order two and sit down on a plastic stool provided for diners. As we eat, we wonder whether we should get a taxi back home, and return at four, or just hang around for three or more hours.  

As fortune would have it, just as we are finishing our tacos, we hear the explosion of cohetes  the rockets that, literally, are a sure-fire announcement that some part of a fiesta is going on somewhere nearby. We look up into the sky and spot the smoke. It´s not far way, back toward the church, but on the opposite side of Calle Rey Ixtlixóchitl from the church, so we head that way. 


A Purépecha Fiesta Underway


As we near the corner of the next street, we hear more cohetes coming from the side street, and then we hear the second sure sign of a fiesta, a banda is playing. Turning the corner, we see a small procession that was not listed on the announcement. Perhaps it is coming from the Mass we couldn't find. Just now, it has stopped in front of a house.

Cohetero igniting a cohete rocket.
His bolsa, bag, says he is part of
The Friends of King Saint Louis
of France.
.
La Banda
We note from the side of the drum that they are from the state of Guanajuato,
just north of Michoacán.

 A floral-covered anda, portable platform, dedicated to San Luis
but without his statue, is accompanied by a large canvas
sign honoring Señor Oscar Rodriguez Montoya,
"a great warrior",
evidently a Purépecha community leader
who died this year, at age 60.
Apparently, this is a stop made in his respect, in front of his house.

      
Our first glimpse of the traditional Purépecha dress,
distinguished by the elaborately pleated skirts and multi-colored ribbons
interwoven in the girls' braids.
Just what we were hoping to see!

The procession then moves on to Calle Otomies and climbs the hill to the church,
with us puffing alongside.

Just past the church, a tarpaulin covers the entire street. (In August, the weather can switch from hot sun to heavy rain at any moment, so tarpaulins are essential, to cover both options.) Underneath, people are being served a comida, meal, a traditional gift given to the community by members of the mayordomía during a fiesta.

While the adults eat, girls help one another put ribbons in their braids.

Las doncellas, the maidens,
girls on the cusp of puberty.

San Luis Rey, King St. Louis,
two of them, are brought from the church and placed on the anda.
The procession is about to get under way.

The Friends of King St. Louis,
the cofradía, brotherhood, that carries out the duties of the fiesta,
including bearing San Luis Rey through the streets of Ajusco.

The procession is going to an intersection in the colonia
where it will greet saints and faithful from other churches
and return with them to the Chapel of Annunciation for a Mass.

La Doña
The older woman is a familiar figure from fiestas we attended in Purépecha pueblos in Michoacán.
She is the caretaker of Purépecha tradition, organizing the youth, teaching them,
thus assuring that the customs that identify them as a distinct people
are passed to the next generation, even here in modern Mexico City.


San Luis Rey

King St. Louis

The procession begins.


The procession heads down hill and turns into Calle Rey Ixtlixóchitl, full of puestos, making the passage of San Luis Rey on His anda a challenge. Hence, the anda is lowered to make its way safely through.

We notice the youth,
fully involved in maintaining the tradition of a pueblo fiesta,
transported from far away Pueblo Nahautzen, Michoacán,
to the center of Mexico City.

The procession stops several times, for the bearers of the anda to rest and, sometimes, we just seem to be waiting, apparently for the arrival of the saints from other churches. It gives us time to take retratos, portraits of some of the women and men participating.

Purépecha  Señoras y Señoritas

The men do not dress traditionally, except a few older ones in cowboy-style sombreros,
like those in Michoacán.
The older ones tells us that, yes, they are oriundos, natives of Nahuatzen

Suddenly, we hear the sound of another banda coming from above the next intersection.
The procession hurries to the corner.

Behind the banda is a fairly large group of people,
several of the women in traditional Purépecha dress.
Behind them is another anda bearing another San Luis Rey, surrounded by white banners.

An anda with a Dove of the Holy Spirit,
and a small Virgin Mary as Our Lady, Queen of Heaven follows.

Then comes San Isídrio, St. Isidor, with His Two Oxen.
He is a saint of farmers, popular in rural pueblos.
We remember seeing an actual ox team used in a procession in Pátzcuaro.
The saint and some men wear cowboy-style sombreros, typical in Michoacán

Real oxen in the Fiesta de Santa Cruz,
Pátzcuaro, Michoacán

Finally, there is a third San Luis Rey!

At this point, the procession is moving very fast, perhaps in order to arrive at the Chapel of the Annunciation for the scheduled Mass. That means another climb up the hill. It is now near 6 PM. We are exhausted and need to call it a day. We do manage to stop one woman in the procession to ask where the other San Luis Reyes come from. We expected only the Chapel of the Annunciation would have this representation of the Purépecha Pueblo Nahuatzen

She replies that these others, with their bearers and followers, are from other parts of Colonia Ajusco. She tells us that there are streets throughout the colonia totally occupied by residents from Nahuatzen. They come from those streets. The Chapel of the Annunciation is simply their shared religious center. 

It reminds me somewhat of ethnic groups in New York City, where we lived for many years. Second and third generation members sometimes have moved to other neighborhoods, even to other boroughs, but they return to the neighborhood of their immigrant forebears to celebrate the traditional fiestas and holidays of their people. 

The meeting of the three San Luis Reyes and other saints has occurred at a major intersection, so we easily hail a taxi and head back home via Avenida Azteca to Colonia Parque San Andrés. As we do, we think of how we came to discover this fiesta, transplanted from our beloved Purépecha Meseta of Michoacán to Colonia Ajusco, fifteeen minutes by cab from our apartment. 

It was via that serendipitous, if not miraculous coincidence, when, one Sunday morning, more than two years ago, we heard the sound and saw the smoke of cohetes from our balcony in San Andrés, and, on the spur of the moment, decided to follow them to their source. They led us to Pueblo Tres Santos Reyes and the Lord of Compassion. Then, following the trail of His visits to the pueblos of Coyoacán across two summers, we came to Colonia Santo Domingo, where the Lord of Compassion was begin delivered from neighboring Colonia Ajusco. That path, and a professor of sociology at nearby UNAM, led us here today and — in our spirit and heart — back to la Meseta Purépecha

Delegación Coyoacán (purple)
sits in the middle of Mexico City.

Pueblos and Colonias of Delegación Coyoacán

Colonia Ajusco is light red area just southwest of center (blue Star).


Two originally indigenous pueblos lie just north of Colonia Ajusco:
 Pueblo Tres Santos Reyes is large green area immediately to the north.
Pueblo Candelaria is yellow area northeast of Ajusco and east of Tres Reyes.

The National Autonomous University of Mexico (UNAM) 
University City campus
is just west of  neighboring Colonia Santo Domingo (large yellow).

Friday, July 6, 2018

Traditional Indigenous Dancers: Concheros and Danzantes Aztecas

In our early years living in Mexico City, we had frequently seen "Aztec dancers" dressed with elaborate feather headdresses and loin cloths, performing with their drums and rattles and burning incense in the Zócalo, Mexico City's central plaza. In the 21st century, they seemed to be an anomalous throwback to prehispanic times, more than five hundred years past. We assumed they were performing for the tourists, Mexican as well as foreign. We were wrong. Our biased perspective was that of a tourist.

Over the past two years, attending many fiestas in the originally indigenous pueblos and barrios now incorporated in the City, we have frequently encountered such Aztec dancers. We have learned that, while they present themselves in several variations of attire and play a variety of musical instruments and even call themselves names other than Aztec, they share an identification with Mexicans' indigenous roots. And their only audience, except for us, is el pueblo, the people of the neighborhood.

It became obvious that they take their dancing very seriously. It is not for entertainment. It is a very personal and communal ritual act, something that would have to be called religious and spiritual. We wanted to understand the complexity and history of what we were witnessing. So we began to explore their story, speaking with some dancers and researching online.

Aztec dancer at the patron saint fiesta of
Pueblo San Sebastián Axotla,
Delegación Álvaro Obregón

It turns out that, while these dancers may seem a nostalgic re-creation of a past that has disappeared, they actually have a long and continuous history going back to the early days after the Spanish Conquest (Wikipedia).

Origin of the Aztec-Conchero Dancers


The dances, now often called Azteca in Mexico City, originally arose in areas of South Central Mexico not too far from Mexico City. Different sources give varying accounts. Querétaro, a state to the northwest of Mexico City, is one. Tlaxcala, to the east, is another. The dancers were originally called concheros, after the lute-like stringed instruments they played.

According to one tradition, the birth of the Conchero Dance was in the city of Santiago de Querétaro (now the capital of the State of Querétero) on Tuesday, July 25, 1531. The tale is very Mexican; it centers on a miracle. (Coincidentally, the Virgin of Guadalupe is believed to have appeared to the Nahua Juan Diego in a series of visions the same year, between December 9 and 12, 1531). The story goes as follows:
After a long period of war with the Spanish after the fall of Tenochtitlan, the chichimecas (not a specific tribe, but the generic name applied by settled, agrarian indigenous, hence 'civilized' peoples to nomadic hunter-gatherer tribes, considered to be "Barbarians") decided to open themselves to the possibility of a pact of peace with the Spaniards, sealed by a final, symbolic battle of honor.
The proposed day for the battle was July 25, a significant date for both parties. For the chichimecas, that day was when the constellation of Sagittarius was high on the horizon, which they saw as the "tree of life" (Tamoanchan). On the same day, the Spaniards celebrated the feast of Santiago (St. James), the patron saint of Spain.  
At dawn on that date, on the hill of Sangremal (Bad Blood), both groups began a fight without weapons, body to body. But spirits got overexcited and anything could happen. Then an eclipse of the sun occurred and a luminous cross appeared in the heavens, accompanied by the form of a person that the natives identified as Quetzalcoatl (god of creative acts) and the Spaniards as the Apostle Santiago. Everyone fell to their knees at the same time, as a loud voice was heard proclaiming "El es dios" | "He is God!"
The chichimecas raised a stone cross in the place (called the "Cross of Miracles") and executed their sacred dances to celebrate the event. Since then, this dance (called the Dance of the Conquest) has been danced in that place without interruption until the present. The expression "He is God!" has remained as an obligatory greeting among the Concheros. (Translated from Origin de las Danzas Religiosas, [Origin of the Religious Dances], link no longer available). 
The Franciscan friars, and friars of the other religious orders who subsequently arrived to convert the indigenous from their "pagan" beliefs and practices to Catholic ones (the so-called Spiritual Conquest, following the military one), banned indigenous dances using traditional drums and rattles as being "pagan" rites to gods who were "the Devil". However, following their strategy of allowing adaptation of indigenous rituals to Roman Catholic ones, the native people were taught to play European-style stringed instruments, such as the lute, and adapt their dances (mitote in Nahuatl) to Spanish Catholic symbolism. Thus modified, they could participate in church fiestas.

Following the Catholic structure of cofradías, confraternities, lay groups supporting church events, the people created formal dance groups. Maintaining indigenous tradition, membership was limited and handed down along family lines. The stringed concho instruments they play (in Mexican Spanish concho means a skin or peel of a fruit), were made from hard kins of native armadillos Traditionally, they wore simple white tunics, possibly modeled after priests' robes.

                  
Concheros in traditional dress.
(The origin of the use of ostrich feathers is another mystery.)

Members of la Corporación de Concheros Sociedades Unidas,
the Corporation of United Societies of Concheros,
which has existed in Mexico City since the 1920s.
Dancing at the Fiesta of the Holy Cross,


Comparsa (troupe) of Conchero dancers,

Throughout the Spanish Colonial era (1521-1823), concheros remained a phenomenon of las provincias, the predominantly rural and culturally more traditional areas outside of Mexico City. [Under Spanish rule, these regions were officially provinces; the term is still used informally by residents of the capital to refer to what are now states of the federal union.] It was only in the late 19th century that people moving into Mexico City from the countryside brought conchero dancing to the capital.

Syncretism as the Path to Survival


For many decades, the Conchero Dance, with its adaptation of indigenous dance to Catholic beliefs and symbols, provided a means among Mexican indigenous groups in Central Mexico to maintain their communal identity. Their answer to the Spanish Conquest was to embrace Catholicism and make it into their own Mexican version, what is called popular—i.e. the people's—Catholicism. Two Catholic saints, in particular, were vehicles for this syncretic solution. (See our Santos Populares, Saints of the People)

The Virgin of Guadalupe, Mother of Mexico, Mother of the Union of Religions and Cultures


Central to Mexicans' adaptation of indigenous beliefs and culture to Roman Catholicism is the adoration of the Virgin of Guadalupe. The Virgin of Guadalupe reverberates with the powers of Tonantzin, one manifestation of the Earth Mother. Appearing to (now Saint) Juan Diego, an indigenous peasant, at a temple site of Tonantzin and speaking Nahuatl, la morena (the dark-skinned) Virgin is the quintessential embodiment of the union of the two cultures.

Actually, our first major encounter with Conchero/Azteca dancers in a religious context was an accidental one at the Basilica of Our Lady of Guadalupe. Visiting on a Sunday, the first November we were living in Mexico City, and a month before the Virgin's feast day on December 12, we were caught completely by surprise to find the huge plaza in front of the Basilica full of dozens of groups and hundreds of such dancers, all simultaneously engaged in their dances and rituals. The air was filled with the cacophony of their drums and the scent of their incense (copal). They carried banners indicating they were each from a different pueblo in or near Mexico City.

At the time, we were completely puzzled by what was clearly a major occasion for the groups. It ended with them entering the Basilica in their full indigenous panoply to participate in a Catholic Mass held especially for them. We did not pursue resolving the puzzle until our encounters with such dancers in the various pueblos finally motivated us to do so.

Aztec dancers at the Basilica of Our Lady of Guadalupe.
On the banner is the image of the Virgin of Guadalupe.

(See our spouse's blog post: 


The Crucified Christ and Indigenous Sacrifice


The other primary figure in the joining of indigenous beliefs with Catholic ones is Jesus the Christ. He has a parallel with Huitzilopochtli, chief god of the Mexica/Azteca. Huitzilopochtli was also the miraculously conceived son of a god, Tonatiuh, God of the Fifth Sun, and he, like Jesus the Christ, was born at the winter solstice. As the crucified Son of God, Jesus also echos the centrality of sacrifice in the indigenous religion.

          
Crucified Christ as "The Lord of Miracles",
next to Coatlicue, another version of the Mother Goddess.

Displayed by a conchero/Azteca dance group at a fiesta honoring the Lord of Miracles,
in Colonia Ajusco, Delegación Coyoacán

In front of both gods sits an
ofrenda of flowers in the shape of a cross.
The cross is at once the Christian symbol of Jesus Christ's self-sacrifice,
reconciling sinful humans to God,
and the indigenous symbol of the four cardinal directions
that organize and orient us within our world.
The four candles also mark the cardinal directions.

The circle in the center represents our bounded human world.
The central candle is the axis mundial, world axis,
the vertical connection with the gods in the heavens.
As such, this symbolic construction is likely one of the oldest and most archetypical
symbols in human culture, going back to pre-historic, hunter-gatherer times.

"Conformidad y Union": "The conquest of the flower"


For the conchero groups, the joining of indigenous symbols and traditions with those of Spanish Roman Catholicism is a matter of pride, a representation of what they call "Conformidad y Union", active acceptance of and joining together with the faith and culture brought from Europe. They call it "la conquista de la flor", "the conquest of the flower", i.e., of the heart. 
(Interestingly, the Mexicas fought so-called "flower wars" with some of their neighboring peoples specifically for the purpose of taking captives who would be sacrificed to their gods, with the removal of their hearts as the central act. The Sacred Heart of Jesus is also an important symbol in Catholicism. See our: Mexican Fiestas As Sacred Play - Part II: Fiestas as Creative Acts of Cultural Transformation and Continuity.) 

"Union, Conformidad y Conquista"
("Joining together, Agreement and Conquest")
Banner of an Azteca dance group 
from the Pueblo Santiago (St. James) Tlatelolco.
at the Basilica of Our Lady of Guadalupe.

Thus, as we have encountered concheros in many of the originally indigenous pueblos within Mexico City, we have come to realize that the Conchero/Azteca dance tradition is one of the main vehicles for the syncretism of the religious and spiritual traditions of two otherwise alien cultures.

From Concheros to Aztecas: From Merger of Cultures to Indigenous Identity


During the 20th century, reflecting both their long tradition and the events of 20th century Mexican history, the concheros evolved into the various versions that we have encountered in our ambles.

Historically, the Catholic Church, as a virtual arm of the Spanish crown, had great wealth and wielded much power in Nueva España. Much of its power continued after Mexico won its independence (1823), even after efforts by the Reform government of Benito Juárez in the mid-19th centry to diminish it.

For that reason, in the aftermath of the Mexican Revolution (1910-1917), the post-revolutionary government became increasingly anti-church. It repressed public religious displays, including fiestas and processions in the streets. The practice of Catholicism was restricted to the interior of churches and private homes. The government also attempted to forge a shared national identity, in part by glorifying the indigenous past, particularly the "Aztec Empire" and the Mayan civilization.

In this context, the conchero groups were faced with a crisis. Some groups—affiliated with the church and holding to the Catholic faith—continued to dance in secret. However, others adopted a secular form called Dance Mesas (Tables, i.e., organized commissions) and separated themselves from Catholic symbolism and rituals. They made their explicit purpose the preservation and transmission of the indigenous dances of Central Mexico's original peoples, and thereby, their traditions and identity.

In one of those very Mexican paradoxes arising from the syncretism of the two cultures, the attire these groups adopted is modeled on that portrayed in the codices compiled nearly five hundred years ago by Spanish monks, in collaboration with indigenous informants. The codices were created with the specific aim of preserving knowledge of the indigenous culture and finding commonalities with Catholic belief and practices that could be used as bridges to move the "pagans" from their beliefs to Catholicism. Thus, the codices were an explicit instrument in the strategy and tactics of the Spiritual Conquest.

Conchero in Aztec or Mexica dress,
Festival of the Virgin of Sorrows, Xaltocán
Delegación Xochimilco

Some of these groups eliminated the use of conchero instruments, as they were of European origin, and use only indigenous percussion instruments (drums, rattles, ankle bracelets made of dried seeds) and, sometimes, small wooden flutes. These groups adopted the name Azteca to make their indigenous roots explicit. As the name Aztec is one that was applied by foreign anthropologists to indigenous Nahuatl speakers in Central Mexico, other groups proudly declare that they are Mexica (Meh-SHE-kah), the original name of the residents of Tenochtitlan.

               


Over time, some groups broke their exclusive, hereditary membership and began to initiate members from the middle class. With this opening, the conchero dance ceased to be a more or less marginal phenomenon of the working class and became a medium for indigenous-based cultural and spiritual expression for broader sectors of Mexican society. (Wikipedia)

Contemporary mezcla, mixture


Gradually, through the mid to late 20th century, the government retreated from its suppression of the Catholic Church and its prohibition of public religious acts. Fiestas and their processions of saints through the streets of pueblos and barrios could be celebrated once again. The conchero groups that maintained their allegiance to the Catholic faith and its rituals were able to return to a public presence. During recent decades, differentiations between these traditional concheros, in their white tunics, and Azteca or Mexica dancers, in their indigenous dress, has been blurred.

In our visits to the original pueblos of Mexico City, we have encountered several variations of the conchero/Azteca/Mexica dancers. There are groups that wear variations of the destinctive, original white tunics. There are also concheros, playing the traditional lute instrument, but garbed in indigenous dress. Then, there are groups in indigenous dress and using only indigenous instruments, but still participating in Catholic fiestas. There are also groups who reject any connection with the Catholic Church and hold their ritual dances in parks and plazas around Mexico City.

Passing on a Living Tradition


In our encounters with each of the variations on Conchero/Azteca/Mexica dance groups, we are always amazed by the multi-generational composition of the participants. There are many adultos mayores, seniors, dancing with vigor. There are also many middle-aged and younger adults fully involved.

Moreover, it is very clear that the members are very invested in passing on their traditions to the next generations. Teenagers and younger children are very much included. One traditional, white-tunicked conchero we talked with proudly stated that he is the fifth generation in his family to belong to his group. He added that both his son and now a grandson are participants, making it seven generations!

               



                  

So, what we initially thought was an anachronistic performance for tourists in the Zócalo, we have discovered is a five-hundred-year-old tradition, a syncretistic solution to the confrontation between indigenous and Spanish Catholic cultures, expressed by the motto, "Union, Conformidad y Conquista". Over the years, particularly in the 20th century, it has been modified by political changes, shifts in the centrality of Catholicism to Mexican culture and the emergence of explicit movements to restore a presence and pride to indigenous identity. 

Nevertheless, a powerful cultural and spiritual force, legendarily released on a July day in 1531, on a mountain top in Querétero, is very much alive and well in Mexico City nearly five hundred years later.