Walking up the staircase below the mural, to the second floor and turning left, we encounter a series of murals portraying various regional civilizations.
Tenochtitlan City of the Aztec/Mexica A lord watches, possibly supervising the tianguis, the open-air market below him where trade flourishes. Above, men form large rolls of unknown material and purpose. Behind is the Templo Mayor, the Great Temple dualy dedicated to Huitzilopochtli, God of War and patron of Tenochtitlan, and Tlaloc, agricultural god of all waters. Beyond stretches the city, with its canals and many other temples. To the right, above, in the far distance, is the Templo Mayor and the sacred district around it. The causeway leads to Tlacopan (now Tacuba), along which Cortés and his men were to flee on la Noche Triste, the Night of Sorrows. At the upper right corner, are the snow-covered volcanoes that form Iztaccíhuatl, the Sleeping Princess. (The mural actually stretches farther to the left and right, beyond our photo: the narrow balcony prevented standing far enough away to take in the whole.) |
Detail of the tianguis (left side) |
Detail of the tianguis (middle) |
Zapotecs of Oaxaca Portraying various crafts, including feather art for headdresses and the refining and working of gold. |
Totonaca of El Tajín, Veracruz Tradesmen (left) arrive from the central highlands, possibly Toltecs from Tula, which was contemporary with El Tajín (600 to 1200 CE), likely a Totonaca city. They seek to trade for tropical products such as vanilla and rubber that grow along what is now the west coast of the Gulf of Mexico. In the background is the city of El Tajín, with its Pyramd of the Niches, voladores, flying dancers in bird costumes, and ball court (far left; El Tajín has 20 courts, by far the most found at any Mesoamerican site). |
Maíz, corn cultivation, Chinampas, artificial islands in the lakes, such as Xochimilco and Chalco, of the Valley of Anahuac (now Valley of Mexico). Chalchiuhtlicue, goddess of springs, lakes and rivers, stands mid-left. |
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