Showing posts with label Coyoacán. Show all posts
Showing posts with label Coyoacán. Show all posts

Tuesday, October 26, 2021

Mexico City's Green Spaces | Parque Masayoshi Ohira

Today, we visit a park very near where we live in the Borough of Coyoacán. It is the Parque Masayoshi Ohira, a Japanese garden that was created, surprisingly, in 1942 as a symbol of Mexican-Japanese friendship. There have been Japanese living in Mexico since the Colonial Period, but most have immigrated since the late 19th century.
 
The park was originally known as "The Pagoda Park" because of its original, predominant pagoda, which, unfortunately, burned down in the 1970s. 

The original pagoda

In the 1980s, it was renamed after Masayoshi Ōhira, the first Japanese prime minister to visit Mexico, who came in 1980 and died shortly afterward. It has been renovated a number of times, most recently in 2014, with the financial support of the Mexican-Japanese Association.

Although we have wanted to visit the park for some time, because it is across the Calzada de Tlalpan, a major highway with few crossings, it seemed difficult to access. But now that we can go back out into the city again, at least to open spaces, we decide to take another look at the map. We find that a pedestrian bridge only two blocks from our apartment crosses the Calzada and from there it is only a four or five-block walk to the park, less than half a mile. So one fine autumn day, off we go. 

Arriving at the park, which fills less than a city block, we circle around until we find the main entrance. It is dramatically framed by a torii, a gateway of red posts and a black top. Such torii are the traditional entrance to every Shinto shrine, marking the threshold between secular, everyday space and sacred space.

Torii gate at the entrance to Parque Masayoshi Ohira

Entering through the huge torii gate, we can see a pond in the distance, with two bridges and another torii gate, this one standing in the water. A number of dirt pathways lined with stone lead from the gate in various directions.

For some intuitive reason, we take a path to the right, towards the north end of the park and the pond. The path wanders gently from right to left and back, creating the feeling of a relaxed amble, just the experience we seek!

Soon, we arrive beside a paved square at the side of an opening in the stones that line the path. Clearly, it designates a vantage point for viewing the pond and the park around it. In the foreground is a gently arching, green, iron bridge. Near the middle of the water of the pond is the second torii arch. Beyond it, crossing a narrow branch of the pond, is a classic Japanese, bright red, bow bridge.

The whole composition communicates the tranquility of the traditional Japanese garden. It is definitely a place to escape the city's noisy bustle, a place to rest, to feel in contact with a miniature representation of the natural world, a place to regain contact with the center of one's own self.

The pond with its bridges and torii,
the threshold between the mundane and the spiritual.

At this moment, two young women walk up onto the green bridge. They stop to soak up the tranquility in the cooling shade falling on the bridge.


Now, we walk down the western side of the pond and have a serene view of the green bridge at the north end.


As we near the southern end, we get a good view of the torii gate standing in the middle of the pond.


At the southern end, we get a full view of the pond, with its red bow bridge in the foreground, the torii in the middle of the water, and the gentle green bridge in the shade at the north end, where we began our walk.


In classic Japanese style, the park recreates an enclosed, miniature, natural world with the simple but central elements of water, stones, plants and trees. Also, today, above the circle of evergreen trees, the sky provides a pure, intense blue ceiling, which completes the feeling of being totally embraced by Mother Nature.

In our private center, we feel the tranquility that this exquisite, archetypical design induces. We do not want to leave, but the world's agenda awaits us. We turn towards an exit, pledging to ourselves that we will come back other times, especially when we need an infusion of nature's tranquility.

Sunday, January 14, 2018

Original Villages | Coyoacán: Christmas Tradition in a Changing Barrio: Venerating El Niño Jesús

Celebrating Christmas, the Birth of Niño Jesús, in Mexico


The Beginning: Las Posadas 


We knew from our years in Mexico that Christmas celebrations begin in mid-December with night-time street parties called las Posadas, the Inns. Held each of the nine nights prior to Christmas, from December 16th thru the 24th, each night's posada is hosted by families living in a different street in a barrio (neighborhood) or different barrio of a pueblo (village or group of barrios). They are called posadas (inns) because the celebration centers on a re-creation of the arrival of the pregnant Mary and her husband, Joseph, in the town of Bethlehem in response to the census called by Caesar Augustus. The Holy Couple search for an inn in which to stay.

When we lived in Pátzcuaro, Michoacán, our beloved and generous Spanish teacher, Alejandra, invited us each year to the posada in her family's street. Here in Mexico City the location of each night´s posada is set by the families involved, so it is difficult for a fuereño (outsider) to know how to find one. Fortunately, on next to the last day of the series this year, we came across a Facebook announcement by our neigboring Barrio San Mateo Churubusco of its posada that very evening, so we were able to attend.

Mary and Joseph, and the procession
of the posada of Barrio San Mateo Churubusco.
December 23, 2017.

Apart from thoroughly enjoying the neighborhood "block" party, especially the breaking of multiple píñatas by the kids, we were struck that, in addition to statues of Joseph leading Mary on a donkey, also prominently present was a Niño Jesús—present even before He was born!

El Niño Jesús, Infant Child Jesus
in the procession of San Mateo's posada,
Dec. 23, 2017

The central celebratory event of Christmas Day is a private one, a family cena (dinner) held late on the evening of Noche Buena (literally, Good Night), Christmas Eve, before going to Mass, so there is no public celebration for us to attend. The next Christmas season celebration is Tres Reyes, Three Kings Day (Epiphany), on January 6, marking the Adoration of Jesus by the Three Wise Men, when a Rosca de los Reyes, a twisted, circular sweet bread, is eaten and children receive presents. We look forward to visiting our nearby Pueblo de Los Tres Santos Reyes to see how it is celebrated.

The Ending: Candelaria


The Christmas season does not end until February 2, the mid-point of winter, when Candelaria (Candlemas) celebrates the presentation of the Infant Jesus by Mary and Joseph in the Temple of Jerusalem forty days after His birth. This presentation is part of a Jewish ritual for first-born sons and for Mary's post-partum purification (this feast day is also known as the Purification of the Blessed Virgin Mary). While there, His status as the Messiah (Hebrew) or the Christ (Greek)—that is, the Anointed One of God—was publically recognized by an old man, Simeon, who was present and who had hoped to live long enough to witness the arrival of the Messiah.

Living in Pátzcuaro, every February 2nd we would witness people carrying little baby dolls, usually dressed in baptismal gowns, through the streets on the way to the day's Mass. Some figures were even seated on small, hand-carved wooden chairs, a kind of throne. We learned that many practicing Catholic families keep such small dolls or statues of Infant Jesus in their homes throughout the year. He is placed in the family's nacimiento (literally "birth", but also used for the Nativity scene) on Christmas Eve. On Candelaria, He is carried to the church to be blessed at a special Mass.

After we moved to Mexico City in mid-2011, we encountered Candelaria the following February at the Church of San Juan Bautista (St. John the Baptist) in our own Plaza de Coyoacán. The big attraction for us was actually a Tamales Festival. Tamales (singular: tamal) are the day's traditional food. The delegación government takes advantage of that to sponsor the Festival, involving dozens of vendors from across Mexico and Latin America and attended by thousands.

Parishioner with Niño Jesús,
Candelaria
 at San Juan Bautista,
Villa Coyoacán.

Niño Jesús
Candelaria
 at San Juan Bautista,
Villa Coyoacán.

Mexico has specialized markets for everything. Not surprisingly, then, there is a tianguis (street market) in East Centro´s Barrio La Merced for a couple of weeks before Candelaria, where artisans in street stalls prepare and sell hand-painted Niño Jesuses, along with all styles of dress (including soccer uniforms!), carved wooden chair-style thrones and other accouterments. We have read that the development of such a market and the consumer demand it reflects is a phenomenon of recent decades. Evidently, el Niño Jesús is becoming increasingly popular (and diversified in His symbolism).

Puesto, Stall
Candelaria Tianguis, Street Market,
Barrio La Merced, Centro East

New Year´s Day Surprise


We were surprised, therefore, when we saw an announcement that the patron saint fiesta of Coyoacán's Barrio Niño Jesús was to be held on January 1, New Year's Day. We had assumed it would be on Candelaria, and we wondered why a day marked by secular celebrations was His feast day. A check of the Catholic litugical calendar informed us that, following Jewish custom, Jesus was circumcised on that day, the eighth day of His life.

We first met the barrio's Niño Jesús in the summer of 2016, as we were following the series of visits made every summer by el Señor de la Misericordia (the Lord of Compassion, who resides year-round in Pueblo Tres Santos Reyes, Three Holy Kings) to many of the pueblos and barrios of Coyoacán. One of those visits was to Barrio Niño Jesús. It is a very small barrio (two short blocks wide and maybe six long), immediately south of the Colonial-era Center of Coyoacán.

Traditional Barrio Life Facing Modern Pressures


As we walked down the barrio's typically narrow central street towards the church that Sunday afternoon, we observed that the neighborhood seemed composed of a mix of modest cinderblock houses and larger, newer, more upscale ones (one notable marker was the two-car wide, stylishly modern electric garage doors, instead of iron gates, facing the street). Past the church, at the end of the street, was the gated, guarded entrance to a group of private homes.

Our impression was that the barrio was being "gentrified". This was understandable, given it is adjacent to the highly desired and, hence, expensive neighborhoods of Coyoacán Centro. (Subsequently, checking Google maps, we saw that the entire southern half of the small barrio is now occupied by a large apartment complex and superstores.)

As with Barrio San Lucas, immediately east of the Center and from which el Señor was arriving that day, we wondered to what extent the barrio residents were able to maintain traditional customs in the face of such modern economic pressures. Similar traditional barrios in northern Coyoacán and in Delegación Benito Juárez, to its north, have largely succumbed to such pressures. Although their churches still carry out patron saint fiestas and acknowledge their long histories, they have morphed culturally into more contemporary style "parties". The fact that el Niño Jesús was receiving el Señor for a week's visit told us that barrio residents were certainly trying to maintain its traditional identity.

Subsequently, in early September of that year, we saw el Niño Jesús when He and his parish joined el Señor's impressively large welcome home procession to Tres Reyes. We recently saw Him again, this past November, in a procession of saints in nearby Colonia Ajusco. So, His barrio clearly actively identifies as a traditional one and is actively engaged with the other traditional pueblos and barrios of Coyoacán.

El Niño Jesús (rear) welcomes el Señor de la Misericordia to His home barrio
They have just passed under the permanent portada at the barrio's entrance.




























Given our questions about the extent to which the barrio residents have been able to maintain the traditions such as fiestas in the face of gentrification, we were especially interested in re-visiting it to witness and experience how those faithful to el Niño Jesus expressed their devotion to Him and their communal identity. (For our frame of reference, see our page: Fiestas as Creative Acts of Cultural Transformation and Continuity.)

The posted schedule for the fiesta said that there would be a procession with el Níño Jesús through the streets of the barrio at 3:30 in the afternoon. So at about 3 pm on New Year´s Day we head off. Conveniently, el Barrio Niño Jesús is about ten minutes by taxi from our home in Colonia Parque San Andrés.

The Church of el Niño Jesús


Church of el Niño Jesús

The church rests on a small knoll and is entered by stairways flanking the front door.
It sits directly at the edge of the street's sidewalk,
where electrical and telephone lines make a clear photo of the front virtually impossible.

Floral portada over the entrance.
"Child Jesus, bless us and give us peace."

Mass was in progress.
(The wooden supports of the chancel arch and the apse behind it

are due to damage caused by the major earthquake
suffered by Mexico City on Sept. 19, 2017)

El Niño Jesús
in front of the nacimiento, Nativity Scene. 

El Castillo


In the atrio which, atypically, is at the side of the church, workers from a pyrotechnic company are busy raising the castillo ("castle") of fireworks that will be quemado (burned, i.e, ignited) at the close of the fiesta tomorrow night.

The castillo
consists of a stack of box-shaped wooden frames
raised by hand-cranking a winch (to the left);

each additional box is slid underneath.

La Banda


Soon, Mass ends. Shortly after, that essential component of all fiestas and processions, a brass banda, shows up. After climbing stairs to a large balcony above the building on the side of the atrio opposite the church, they begin to play. We climb up after them, the better to see and take photos.


The essential tuba.

Lots of Oompah! 
In addition to the omnipresent tuba,
t
hree baritones are included, an unusual addition to the traditional Mexican banda

La Procesión


After playing a few numbers, the banda gets up and leaves the balcony. We know the procession is supposed to follow, but see no indication of it in the atrio, where they usually form. We wait, sitting on a ledge, asoleandonos, sunning ourselves, savoring the warmth of the New Year's sun. 

Suddenly, from the far side of the church, we hear the banda playing again. Equally suddenly, in the street in front of the atrio, a flower-bedecked anda (portable platform) appears, bearing el Niño Jesús, followed by a number of parishioners and la banda. The procession is on the move! We have to rouse quickly from our relaxed state and hurry out to the street. 

Anda, covered with fresh mums,
bears el Niño Jesús.
The peacock is a frequently used symbol of royalty.
The hummingbird (far left), because it sucks nectar, is an indigenous symbol of sacrifice.

El Niño Jesús
The three silver rays projecting from His head are signs of His Divinity
and, possibly, of the Holy Trinity. 

The entrance to one street is decorated with an arch,
featuring the Virgin of Guadalupe,
whose feast day was December 12,
followed by las posadas beginning on December 16.

Some barrio side streets, essentially laneways, are dead ends and so narrow
that the anda is carried into them backwards,
allowing the procession to return without turning the anda around.
The legend on the anda reads:
"Little Child Jesús, illumine our faith."

The papel picado, cut-paper designs hanging above,
are truly hand-cut paper, not machine-cut plastic. This is very unusual nowadays.

The bearers of the anda have to stop and rest every so often. 

El cohetero,
igniter of cohetes, rocket-style firecrackers,
leads the way, announcing the procession's arrival.

Tapete de aserrín,
sawdust carpet,
has been laid out in one cul-de-sac.
Roses are the flower of the Virgin Mary.

The bottom legend reads:
"God, we don't forget you."

Papel picado
(here, the now usual machine-cut plastic)
remains from the fiesta honoring the Virgin of Guadalupe.

(Note the caged songbirds, upper left,
common household pets in the outdoor patios and balconies of Mexican homes.)

The Community Watching


As always, we enjoy—and photograph—the rostros (countenances, faces) of those watching a procession along its way. Taking informal portraits is actually one of our primary goals in our Ambles and participating in a procession provides a wonderful opportunity to capture some of the faces of community members.




Maintaining Tradition and Community Identity in the Face of Gentrification


As we noted earlier, we were particularly interested in returning to Barrio Niño Jesús to see to what extent its residents are able to maintain the customs of traditional patron saint fiestas while the neighborhood—given its "prime" real estate location—continues to undergo the economic and social pressures of gentrification. 

Our conclusion, at the end of experiencing its procession through its narrow laneways, is that communal tradition and the shared identity that goes with it is doing fine in the barrio. The fiesta has all the traditional, essential components: 
~ Portada (even one covered with fresh flowers) over the church entrance, 
Banda, 
~ Cohetes, 
Anda carrying the patron saint and covered with fresh flowers, 
~ Papel picado (even hand-cut ones) hanging above the streets, 
~ Tapete de aserrín,
~ Additional portada arch across one of its streets (in addition to the permanent one at the barrio's entrance). 
Castillo (a big one!) for the grand, pyrotechnic finale on the last night of the celebration. 
(See our page: Fiestas as Creative Acts of Cultural Transformation and Continuity.)
Clearly, Barrio Niño Jesús still has a community of residents committed to investing the time and money required to carry out such a fiesta, including its more costly elements such as fresh flowers on the portada and anda, which communities with fewer resources have replaced with plastic ones. 

There was also the less tangible but essential element of animo, the spirit, vitality, of the participants. The leaders of the procession were clearly committed to executing it with energy and devotion, both to their saint and to the customary forms of such processions. 

But also, those following along and even those watching from their doorways showed their identification with the ritual in their crys of "Viva el Níno Jesús", "Long live the Child Jesús". As a result of our participation in many such processions, we have come to realize the "Viva" is a shout of community identity and desire for its continuation. There were also the looks of attention--sometimes serious, sometimes happy--and even pride that showed in their faces. 

In Barrio Niño Jesus"God (and community tradition), we don't forget you."

Delegaciones of Mexico City
Coyoacán is the purple delegación in the center.

Delegación Coyoacán
and Its Pueblos, Barrios and Colonias.


Barrio Niño Jesús is marked by the green/yellow star.

Sunday, December 31, 2017

Original Villages | Coyoacán: San Mateo Churubusco's Christmas Posada

Celebrating the Birth of Jesus, the Son of God, Replaces an Indigenous Celebration of the Birth of the God Huitzilopochtli


The celebration of Christmas in Mexico is different from that of other festivals on the Catholic Christian calendar. It is focused within the privacy of the family rather than in the communal space of the parish church or the public space of the neighborhood streets. The central celebratory event is a family cena (dinner) held late on the evening of Noche Buena (literally, Good Night), Christmas Eve, before going to Mass. (Think Thanksgiving dinner in the United States.)

Posadas: Recreating Mary´s and Joseph´s Search for an Inn in Bethlehem


There is, however, a wonderful tradition that takes place in semi-public space, the individual streets of neighborhoods. It is the tradition of posadas (literally, "inns"). Las posadas were evidently created in the mid-16th century by Augustinian friars who came to Nueva España to instruct indigenous peoples in the Catholic Christian faith. Held each of the nine nights prior to Christmas, from December 16th thru the 24th (the nine nights representing the nine months of Mary's pregnancy), each night's posada is hosted by families living in a different street. And they are held outside, in the street (think block party).

They are called posada (inn) because the celebration centers on a re-creation of the arrival of the pregnant Mary and her husband, Joseph, in the town of Bethlehem in response to the census called by Caesar Augustus. They search for an inn in which to stay. In the re-enactment of their quest, children dressed as Mary and Joseph, or statues of the saints, with Mary riding a donkey, approach a series of three homes in the street holding the night's posada.

The pregnant Virgin Mary and Joseph on their way to Bethlehem.
Statues in Church of San Mateo Churubusco, Coyoacán.
St. Matthew stands behind them.

The members of the parish accompanying the Holy Couple sing a petition to the residents of each home on behalf of the Couple, pleading that they be given shelter. At the first two homes, from behind closed doors, the residents reject the plea and the procession has to move on. At the third home, in response to the request, the resident family opens its doors and receives the Couple and those with them. The rosary may be recited. Then, the party begins!

Replacing One Miraculous Birth of a God With Another


The Augustinians had a very clear purpose in creating las posadas. They were a specific tactic in the strategy of Spanish monks that has come to be called the Spiritual Conquest, the conversion of the indigenous peoples to Catholic Christianity. As it happened, in the Azteca/Mexica religion, in the month of Panquetzaliztli, the birthday of Huitzilopochtli, god of the sun and war and their primary god, was celebrated on the equivalent of December 18. (Panquetzaliztli possibly corresponded to December 6 to 25 on the Gregorian calendar; there are scholarly differences of opinion on the precise relation between the two calendars.)

Huitzilopochtli, like Jesus the Christ Child, was also begotten by a miraculous conception, via a ball of eagle feathers entering the womb of the Mother Goddess, Coatlicue. The eagle is both the messenger and symbol of the Sun god, Tonatiuh. The coincidence of the two sacred and miraculous birthdays is tied, of course, to the Winter Solstice, marking the beginning of the northward return of the sun from its southernmost position in the Northern Hemisphere.

A recent Facebook post, by Guardianes Del Patrimonio Xochimilco, on the significance of the winter solstice confirms this coincidence of the birthdays of the two gods:
"From the start of the ‘Spiritual Conquest’ of these lands, the Spanish Friars took note of the celebration of the birth of a ‘god’ at the end of December. The original peoples named this god Xiuhpiltontli, ‘niñito turquesa’ | Turquoise Baby Boy’ (in the Nahuatl language, turquoise is a symbol of preciousness).
Xiuhpiltontli is linked with the birth of Huitzilopochtli (hummingbird of the left/south), as both are a symbolic representation of the Sun. Between the 20th and 24th of December, (seen from Xochimilco) the Sun rises behind Popocatéptl ("Smoking Mountain" volcano)—seems to stand still, and appears much smaller than it does during the rest of the year. 
Image may contain: sky, nature and outdoor
Sun rising at winter solstice over volcano Popocatepetl
In Xochimilco, there are no coincidences. From time immemorial, there has been a search for answers, communal creativity, devotional dynamism and cultural resistance … there is cultural fusion." Translated from a recent Facebook post on Guardianes Del Patrimonio Xochimilco
So the Augustinians created Las Posadas to replace the celebration of the birth of Huitzilopochtli with that of the Birth of Jesus, the Son of God. (Wikipedia)

Searching for a Posada in Mexico City


When we lived in Pátzcuaro, Michoacán, we were invited every December to posadas in various neighborhoods. Our beloved Spanish teacher, Alejandra, always invited us to the one in her family's street. When we moved to Mexico City, as with other traditions, we wondered whether we would find posadas. In our modern Colonia Parque San Andrés, which has no Catholic parish church, there are no fiestas, let alone the more modest posadas

Now that Mexico City Ambles is focused on original indigenous villages in the City and their fiestas, we wondered whether this December we might find a posada to enjoy, photograph (a challenge since they take place after dark) and share. Our ever-informative Facebook page,  Fiestas Mágicas de los Pueblos y Barrios Originarios del Valle de MéxicoMagical Fiestas of the Original Villages and Neighborhoods of the Valley of Mexico, posted videos of multiple posadas that had happened in Xochimilco each previous night, or sometimes live, as they were happening. But there were no prior announcements of where and at what time they were being held, so, short of wandering around the center of Xochimilco in the twilight, there was no way we could find one. 

Then on the Thursday, December 23, the eighth day of posadas, there appeared on the Facebook page of our neighboring barrio of San Mateo Churubusco an announcement of a posada that very evening. Evidently, it was part of a series of nine held by the parish, but we had somehow missed announcements of the previous ones. We could easily attend, and next to the last day that it would be possible this year!

We are also struck by the coincidence ("In [the indigenous cosmovision], there are no coincidences"!) that San Mateo Churubusco and its sister barrio, San Diego Churubusco, were the indigenous village of Huitzilopochco, so named by the Mexicas of Tenochtitlan when they took control of the towns around Lake Texcoco from the Tepanecs of Azcapotzalco in 1428.

The causeway the Mexicas built south, across the lake, had one terminus at this village and Huitzilopochtli is a god of the south (perhaps, because He was born with the newborn sun), so it seems likely they chose to dedicate this southern village to their chief god. The churches of San Mateo and Our Lady of the Angels in San Diego were built atop Mexica temples, one or both likely dedicated to Huitzilopochtli. So this posada will take place at a sacred site of the very god which such posadas were designed to replace!

Plaque on wall of a house on Calle Convento
recognizing the original name of the village, Huitzilopochco,

"The place of the hummingbirds of the south".
"Churubusco" was a Spanish replacement,
possibly to erase the name of the chief God of the Mexica.

Posada in la Calle Rafael Oliva, San Mateo Churubusco


The Facebook announcement gave the name of the street, la calle Rafael Oliva, where the posada would be held. It is a block west of the church, less than a ten-minute walk from our apartment. However, it did not give the time. So we posted a message on the page asking the time, and the administrator soon replied. It would begin at 5 PM, with a procession starting from the atrio (atrium) of the church. So shortly before the designated hour, we left our apartment and walked the five short blocks to the church.

Waiting


Chapel of San Mateo, St. Matthew
Archeologist think that a Mexica temple to Huitzilopochtli
may have stood here previously.

We well know that "on Mexican time" is different from "on norteamericano (North American, i.e., U.S.) time". But nearly ten years of living in Mexico have not changed the habits of many decades of functioning as a norteamericano. So we arrive at the church a few minutes before 5 PM. The gate to the atrio is locked. No one is visible inside. So we sit down on a curb across the narrow back street that the church faces and wait. Within a few minutes a woman appears from the church, walks to the gate and opens it. We approach her and ask about the posada. "Sí", "Yes," it is going to happen. 

So we enter the atrio. The pavement is strewn with torn pieces of colored paper. It has the look of a party space the morning after the party. Apparently, a posada had been held in the atrio the night before. With nothing else to do while waiting, we enter the church, which we have visited several times before. 

Chancel of the sanctuary decorated for Christmas

A nacimiento (literally, "birth", i.e., a Nativity scene) is to the left.
A figure of the Infant Jesus is not placed in it until the Christmas Eve Mass.
To the right are Joseph and Mary, in front of St. Matthew.

Poinsettias are native to Mexico, where they are called nochebuenas,
(literally "good nights", i.e.,  "Christmas Eves").

Leaving the sanctuary, we sit down on a long concrete bench lining the north side of the atrio. It is still warm from the rays of the afternoon sun that is dropping behind the houses to the west. We wait.

Arrivals


Soon, a man and a woman, apparently husband and wife, and three youngsters enter from the gateway at the side of the atrio, on calle Heroes de 47, Heroes of 1847, the main street through the barrio (for an explanation of the name, see our post about San Mateo's sister barrio, San Diego Churubusco, Thrice Strategic Over 400 Years). Each carries a traditional Mexican broom made of long twigs, and they begin methodically sweeping up the torn paper into piles. This takes some time. 

When the gentleman is near us, we introduce ourselves as a neighbor from Parque San Andrés interested in traditional fiestas. He takes us by surprise when he says that he recognizes us from the fiesta for El Señor de los Milagros (the Lord of Miracles), in Coyoacán's Colonia Ajusco, held just last month, at which San Mateo was represented. We comment that we had shared our photo of San Mateo from that day on the parish Facebook page. Amiably, he says that he has seen it.   

While the family cleans the atrio, other families begin to arrive. While the adults sit on the long bench and wait, the kids engage in the inevitable running games around the large atrio.

This little boy delights in running the length of the concrete bench
 that starts against the wall of the church
and extends along the north side of the atrio

Isaac

Seeing that we are taking pictures of him, the boy runs along the bench to us
and greets us. Asked his name, he says he is Isaac (EE-sahk). And he is three years old.
His parents are sitting not far away, watching the interchange.
He asks if we will play with him.
We have to say we would like to, but are now too old to run around.
We add that we are enjoying watching him have fun. 

Another friendly boy

Isaac´s sister (left) and a friend.


The Procession 


By 6 PM, the atrio is cleaned of all the previous night´s detritus. The sun has set and the light is fading. About then, the cohetero arrives and sets off a couple of cohetes (rocket-style firecrackers) to announce the coming procession. But there is no sign of a procession. The people sitting and standing around the atrio wait without any sign of impatience. 

Then, suddenly, about 6:20, a woman ringing a small bell comes out of the church. Behind her, two men carry the anda (platform) bearing the statues of Mary on the donkey and Joseph. Following them are a small group of women holding lighted candles and chanting a prayer they are reading from small booklets made of newsprint. One woman is carrying a statue or doll representing Niño Jesús, the Child Jesus.

The procession gets underway.
The woman at the right is holding a Niño Jesús, Child Jesus

The procession leaves the atrio of the church,
exiting into calle Heroes de 47, and turns west.
It is now dark.

A short block farther on,
the procession turns north into
la calle Rafael Oliva, the site of tonight's posada

As per tradition, the procession stops at a house to petition room
for Mary and Joseph to stay.
From behind closed doors, the family rejects the request.

Mary and Joseph, and the procession
move on toward a second home.

In front of the second house, the request for hospitality is made again,
Again, the family inside rejects the petition.

Finally, the procession arrives at a third home
and repeats its plea on behalf of the Holy Couple.

This time the doors of the home are opened, and Mary and Joseph are invited to enter,
along with participants in the procession.

Mary and Joseph find a place to rest.

The Child Jesus is also given a place of honor.
in the family's nacimiento.

In the street, the cohetero announces the success of the search.

The Party


Quickly, tables are set up in the street
and hot ponche, fruit punch, is served.  

A gas grill is also set up and small tortillas are fried. 

The fried mini-tortillas are covered with a bean paste, shredded cheese and lettuce.
In this form, they are called sopes.

Piñatas


While the ponche and sopes are being served, a small group of men prepare to hang a piñata above the street. 

A rope, one end already tied to the second story of the host house,
is tossed to a young man in the second story of the house across the street.
He will manipulate the height and movement of the piñata.

A piñata is hung from the suspended rope.

Traditional seven-pointed star pinata


The attack on the piñata is seen as representing the struggle of humans against temptation. The seven points of the tradtional star-shaped pinata represent the Seven Deadly Sins. The pot represents the devil, and the fruit and candy inside are the temptations of evil. The person with the stick is usually blindfolded to represent faith and spun around in order to recreate the disorientation that temptation creates, but that is not done here in San Mateo.

The onlookers sing a chant about the effort. When the piñata breaks, the treats inside become the rewards for keeping the faith.

Canción de la piñata, Piñata Song

Dale, dale, dale,
No pierdas el tino,
Porque si lo pierdes
Pierdes el camino.

Hit, hit, hit,
Don't lose your aim,
Because if you lose it,
You'll lose the way.

Dale, dale, dale,
No pierdas el tino,
Mide la distancia
Que hay en el camino...

Hit, hit, hit,
Don't lose your aim,
Measure the distance
That's on the way...

...Ya le diste uno, 
Ya le diste dos,
Ya le diste tres 
Y tu tiempo se acabó.

...You've hit it once, 
You've hit it twice,
You've hit it thrice, 
Now your time is up.

(Canción de la piñata, Piñata Song. From Mama Lisa's World)

A lady of the parish
helps the younger kids
prepare their attack on the piñata.

One after another, multiple piñatas are hung and attacked.
The young man in the upstairs window manipulates their height
according to the height of each child.

Even very young children are introduced to the traditional action.

Our friend, Isaac,
goes at it.

When a piñata is broken,
everyone scrambles for the goodies that fall from inside.

Like other components of fiestas such as fireworks and papel picado (cut paper designs), piñatas apparently originated in China. They are part of the New Year celebration held in late January or early February. The tradition was brought by travelers returning to Europe in the 14th century where it became associated with the Christian celebration of Lent, the forty days of fasting before Easter. In Spain, the first Sunday of Lent is known as "Piñata Sunday". The piñata tradition was brought to Nueva España by Augustinian monks, where they adapted it to Christmastime.

As it happened, and conveniently so for the Augustinians, there was already a similar tradition in Mesoamerica. As part of the celebration of the birthday of Huitzilopochtli, priests would decorate a clay pot with colorful feathers and hang it before a statue of the god. The pot was then hit with a club until it broke, and the treasures inside would fall to the feet of the idol as an offering. The Maya also had a similar tradition, which included blindfolding the participant who was trying to hit a suspended clay pot. (Wikipedia)

So here in San Mateo Churubusco, the ancient village that the Mexica called Huitzilopochco, this fusion of traditions is repeated once again tonight, this Christmas Season.

Traditions That Mark Cycles of Time and Faith


There are still more piñatas to be hung and attacked when our old body tells us it is time to return home. It is about 8 PM. We thank the gentleman whose family was cleaning the atrio for being able to share in the posada of San Mateo Churubusco, wish him and his family "Feliz Navidad y Buen Año Nuevo", "Happy Christmas and a Good New Year", and head back down la calle Rafael Oliva. 

Church of San Mateo Churubusco
Night of the Eighth Posada,
December 23, 2017

We pass the Church of San Mateo, its simple white walls now lit like a beacon in the dark. Just down the street, we pass our beloved Mercado Churubusco (Market). We are surprised it is still open. A few remaining merchants are closing their stalls, which they opened at 7 AM and will open again at 7 AM tomorrow. We cross calle Martires Irlandeses (Irish Martyrs; for an explanation of this anomalous name, again, see our post on San Diego Churubusco) and re-enter modern Parque San Ándres.

Along the way, we reflect on what we have just experienced, as we always do after visiting a fiesta in one of the original indigenous pueblos or barrios of Mexico City. We are particularly struck, this time, by how a Catholic Christian custom was used (this time, evidently created) by the monks from Spain to replace an existing indigenous religious one, but thereby also creating continuity between the two.  

Both represent the birth of a god, and with them, the birth of a faith in the character of the power that rules the universe and is the sovereign of the human life cycle. Both births are tied to the natural phenomenon of the Winter Solstice, that ending and beginning of the ageless cyle of the sun (as seen from the Northern Hemisphere) which we also use to mark the succession of our earthly years.

Another such year is ending, another year is about to begin. The cycle of the Earth's voyage around the sun, the cycle of life and of being human goes on. And, as evidenced by the posada of San Mateo Churubusco, so does the renewing of the human faith that the future offers hope.

Some of la gente, the people, of Barrio San Mateo Churubusco



Delegaciones of Mexico City
Coyoacán is the purple delegación in the center.

San Mateo Churubusco is small, green area just to right (east) of star.
Parque San Andrés is Mexico City Ambles' home base.